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AMERICAN ART SINCE
1945 David
Joselit
PAPERBACK ORIGINAL
No other introductory book presents the diversity and complexity of
postwar American art from Abstract Expressionism to the present as clearly
and succinctly as this groundbreaking survey. David Joselit traces and
analyzes the contradictory formal, ideological, and political conditions
during this period that made American art predominant throughout the
world.
Social and cultural transformations rooted in mass media
technologies—photography, television, video, and the Internet—elevated
consumer commodities to the status of legitimate art subjects, as in pop
and installation art, and also brought about a mechanization of the
creative act. Canonical movements and figures are discussed at
length—Pollock, Rothko, Krasner, Oldenburg, Johns, Warhol, Paik, Ruscha,
Sherman, Schnabel, Koons, Barney, and others—in juxtaposition with lesser
known contemporary artists and practices.
David Joselit worked as a
curator at The Institute of Contemporary Art in Boston from 1983 to 1989
where he co-organized several exhibitions including "Dissent: The Issue of
Modern Art in Boston," "Endgame: Reference and Simulation in Recent
Painting and Sculpture," and "The British Edge." He is currently Associate
Professor in the Department of Art History at the University of
California, Irvine. Joselit is the author of Infinite Regress: Marcel
Duchamp 1910-1941, and is completing a book entitled Feedback: Art
and Politics in the Age of Television.
ISBN 0-500-20368-7 · 5
7/8" x 8 1/4" · 183
illustrations, 80 in color · 256 pages · ART
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